In conversation with urn:en Designer René Odermatt
The conversation with René Odermatt offers a sensitive insight into the creative engagement with death, remembrance, and form. The Zurich product designer describes how both his general openness to unusual projects and his personal interest in cultural farewell rituals led him to design urns – a task he finds particularly meaningful.
For Odermatt, an urn is far more than a functional object: while it rationally represents finitude, emotionally it stands for remembrance, appreciation, and a place of commemoration. This is precisely where his design approach begins. He often finds classic urns heavy and outdated, which is why he deliberately sought a lighter, more modern design language. His designs are conceived as a person's "last home" – an image that combines intimacy and dignity.
A central aspect of his work was the choice of materials: the urns had to be sustainable, biodegradable, yet stable, and suitable for 3D printing. This technological approach enabled new design freedoms and led to innovative forms, some of which evoke associations with architectural influences.
Odermatt's design process begins not with a form, but with understanding – for the subject, the team, and above all, for the people affected. From this, an approach develops that combines function, emotion, and aesthetics. His goal is to create moments of calm, contemplation, and appreciation with his urns.
At the same time, he reflects on society's handling of death, which he perceives as often tabooed. He sees his work as a small contribution to greater openness and a more comforting design of farewell processes.
Even though he is currently working on other product areas again, the experience remains formative: for him, designing urns is not just a design task, but a deeply human engagement with loss, remembrance, and closeness.
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